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How to you make sure not to deform the image while hollowing out the back? Is there something you can put it in/on that adjusts, or do you hollow before doing all of the finishing touches (and, I assume, use something to hold up the hollowed out part underneath).
Once you're done with this class is there any inexpensive way to buy kiln time if you wanted to? With any luck your teachers like you enough to let you slip a piece or two in once in a while.
For your last question, that discussion actually came up yesterday. My instructor has only one class during the summer but it's a big class. So the kiln won't have room for any extra projects. The only way I can access it is if I took the class, but it's not a sculpture class it's pottery. The only other thing I can think of is my brother-in-law's mother has her own personal kiln, but I'm not sure how big it is and what it fires at. I'll have to check it out.
Thanks for the comment and questions! I'm always happy to see someone interested in what I do!
Actually, for any questions about that stuff I probably should buy a block and try it myself.
Good luck on the kiln situation. It seems like you have a lot of fun sculpting so I hope you get to do as much of whatever you want.
Most of the time for deep gouges you can dab water on it and push in more clay, but when the clay gets stiffer you have to score and slip by taking a comb, dipping it in water, and scratching the surface so that the clay will have something to attach to.
I think you should by yourself a block of clay and play around with it. It's fun and surprisingly calming.
Thank you!
c: